The Artist on the Block
“That skill gave me value. I became the artist on the block.”

Biomechanical Koi — Color · Colored pencil and ink on paper
The first phase of prison is called reception and diagnostics. For one to three months, you're locked in a cell twenty-three hours a day. One hour out — for a shower, a phone call, a brief break from isolation. Meals are controlled. Time stretches.
You either rot — or you choose something.
I chose structure. I studied for my GED. I lived in the library. I worked out daily. I removed myself from general population as much as possible — not because I was afraid, but because I didn't want to become what that environment was designed to produce.
During diagnostics, I was housed with another artist. When I went in, I could draw basic cartoon figures. He taught me how to use a grid — how to break an image into proportions, how to scale it accurately, how to shade with patience instead of rushing.
I practiced constantly.
By the time I left prison a year later, I wasn't drawing cartoons anymore. I could produce full photorealistic portraits.
That skill gave me value. Gangs paid me to draw — not because I joined them, but because I had something they wanted. I became the artist on the block.
I also earned my GED while I was inside. That mattered more than it probably sounds. It proved I could finish something. That I could apply myself. That I wasn't as broken as I believed.





